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6 Notes

Beili Liu

The Mending Project, Iron scissors, Fabric, thread, needle, mixed-media, dimensions variable

Lure/Forest, Thread, needle, dimensions variable, each coil 2-5” in diameter

Toil, Silk Organza, dimensions variable, each element approximately 3” to 8” long

Affine, Hand cut paper, graphite, on birch panel, set of 3, 36” x 48” x 1” each

About Beili Liu’s Work

I’ve had several opportunities to see Beili Liu’s work up close and personal right here in Austin.  She teaches at the University of Texas and shows from time to time at one or another of Austin’s galleries.  The last show I attended was “The Mending Project” at Women and Their Work in 2011.  A room is filled with a cloud of hundreds of Chinese scissors suspended from the ceiling, points down, just over your head.  The artist sits below those hundreds of sharp points, calmly mending bits of fabric while the threat of danger hovers very close above her.  It’s a very powerful piece, at once menacing and visually stunning.

Lure/Forest” is one of the works that first drew me to Beili Liu’s work.  Thousands of disks made of hand-wound coiled red thread are suspended from the ceiling with a single thread that then drapes onto the floor.  The sight of all these disks slowly swaying in the space is quite enchanting, like standing at the edge of a forest of red flowers slightly disturbed by breezes wafting through.  Like much of Liu’s work, this installation references an ancient Chinese legend.  A related installation, “Lure/Wave” won 3rd Place at Artprize.

Liu creates some very compelling installations and 2D work, and her use of a wide variety of materials is always fascinating, thought-provoking and unexpected.

Artist Statement

“My work depends on a genuine connection to the material. By playing with the material—testing, manipulating, experimenting, and examining, even leaving it for months—I watch for the moment of surprise, when the material responds to one or a series of actions, and leads to an exciting physical or conceptual outcome. That outcome itself sometimes becomes the lead into a new project.

As one who comes from the East and lives in the West, I have experienced two distinct and often contradictory value systems. These experiences constantly influence each other, at times create conflicts in my life, and other times offer great inspirations for my work.”

See more of Beili Liu’s gorgeous and intriguing work, and find out about her full list of awards, shows and accomplishments at her website.

10 Notes

Heather Patterson

Kaleidoscope, mixed media, 36” x 24”

Aquatica, mixed media, 24” x 24”

Climate 1, mixed media, 24” x 24” 

Afloat, mixed media, 18” x 18”

About Heather Patterson’s Work

I love the richness of Heather’s mixed media paintings, her use of color and her imagery from life and science.  Looking at any of her paintings, I feel as if I could walk into her oddly populated world.  She creates a sense of space and a sense of place that stands in contrast to her use of ornamentation, drips and flat shapes that reference the language of painting.  It’s both an illusionistic space and the flat space of the surface of the canvas.  

Artist Statement

“My work is an intuitive gathering of imagery stemming from the natural world. I recreate geographic patterns and forms, and then layer them to make up new systems in the environment. By analyzing the biological and structural phenomena, I find similarities between their elements…I am interested in the imperfections in nature, the complete randomness yet undisturbed instances of subtle perfection. 

By layering varied imagery through drawing and painting, a sense of fragmented time emerges, a documentation of events.”

Read Heather’s full statement and see much more of her gorgeous paintings at her website.

3 Notes

In the process of making a painting in an abstract way, the painter is in search of a reality. Not one of realistic objects, but of the complete end result. The painting is experienced as a whole, and must evoke in the painter the absolute conviction that this is how it should be and no other way.
Paul Burlin

46 Notes

What is Abstract Art?

Abstract art uses a visual language of form, color and line to create a composition which may exist with a degree of independence from visual references in the world.[1]  It focuses more on the materials and form of art rather than on the rendering of a recognizable object or the illusion of reality.  

Abstract art can be a very formal exploration of the elements and principles of design (form, shape, color, value, balance, harmony, variety, movement, rhythm, line, texture, and composition), or it can be a way to visually represent non-visual things, such as emotion, experiences, and music.  It can also refer to work which “abstracts” or simplifies the form of things from the world.

Art that completely eliminates any representation from reality could better be called “non-objective.”

For more detailed information, please see this Wikipedia article.

9 Notes

Up until 35 I had a slightly skewed world view. I honestly believed everybody in the world wanted to make abstract paintings, and people only became lawyers and doctors and brokers and things because they couldn’t make abstract paintings.”
— Frank Stella (via kzpainting)
Frank Stella  (via kzpainting)

5 Notes

Of all the arts, abstract painting is the most difficult. It demands that you know how to draw well, that you have a heightened sensitivity for composition and for colours, and that you be a true poet. This last is essential.
Wassily Kandinsky

Notes

There is no reason that cathartic works of art cannot be aesthetically pleasing while providing a sense of meaningful energy and visual or metaphysical insight.

Michael Cook 

Lyrical Abstraction

2 Notes

Without art, the crudeness of reality would make the world unbearable.
George Bernard Shaw